'On A Portrait Of A Deaf Man Essay\r'

'Lines one and three also digest more(prenominal) beats in them than lines devil and iv-spot. (If you want to get a fight more technical, one and three be tetrameters, two and four trimeters! Tetrameters contract four stresses, trimeters have three stresses).\r\nSound\r\nAs a reminder of b alonead metre, debate of the Christmas carol O Little township of Bethlehem. Using ballad metre doer that the poem l raritys itself to being read out loud and has harmony, rhyme and rhythm that are quite an lyrical. Imagery\r\nThe language used puddles extremes of mood. A pattern develops whereby Betjeman uses positive, warm controls to evoke dexterous memories: The kind old face, the oval head,The tie, discreetly loud,The loosely fitting injection apparel And thence he brutally undermines all this with an image related to death in the side by side(p) line:\r\nA tight fitting shroud.\r\nThis also happens in stanzas two, four and s level(p).\r\nIn these stanzas the death imagery is even worse, bordering on horror: But today his mouth is wide to letThe London dust scrape in.\r\nmaggots in his eyes\r\n… at impersonate his finger-bonesStick through his finger-ends\r\nAttitudes\r\nAlthough the narrator speaks warmly almost his late baffle he doesn’t use euphemisms. (A euphemism is something said to avoid an unpleasant or offensive word or phrase.) Usually the subject of death is affluent of euphemisms such as ‘passed on’ or ‘gone to a better habitation’. Betjeman is more direct about the disposition of death, although this can be up tantrum.\r\nThemes\r\nLoss: Betjeman has to come to terms with the loss of his grow. Lack of trust: the poet has no faith in God.\r\n terminal: Betjeman is open and even brutal in the physical descriptions in this poem of the cause of death.\r\nIdeas\r\n whizz central idea, hinted at end-to-end the poem but then all the charge revealed at the end, is that death is definitely the end of life. We do not go to heaven or anywhere else because there is no God. â€Å"I only see rotting”. There is, however, the more positive proposal that one should cherish the time we have with the people we love, as Betjeman obviously did with his sky pilot.\r\n simile\r\nCasehistory: Alison (head injury)\r\n* Both poems cut with a before-and-after scenario. The display Alison is in some ways an entirely antithetic character from the pre-accident version. Betjeman views the past and present versions of his father in very different ways. * Readers will perhaps experience kindliness in both poems. One cleverness feel sorry for the post-accident Alison who has suffered brain damage. One might also feel humanity with Betjeman because he has lost his father. * Both poems deal with death in one way or another: Betjeman’s father has died (as has his faith in God, if it ever existed); Alison is fluent alive but the Alison of the past is dead.\r\n misgiving\r\nH ow does Betjeman present the character of his father in On a Portrait of a Deaf Man? Answer\r\nBetjeman’s father has died and the poet writes this elegy to pay aegis to him. In doing so, he does two hard-hitting things. Firstly, he creates an image of the living father as a warm, nice man. Secondly, he talks of the present state of his father †dead, buried and decaying. The first image is rough-cut in an elegy, the second certainly is not. Betjeman creates a warm, positive image of his father in the opening lines: The kind old face, the egg-shaped head,The tie, discreetly loud,The loosely fitting shooting clothes The first adjective he uses to describe his father is â€Å"kind”, setting a pleasant tone. He then paints a picture of how his father looked and dressed. The following line is the beginning of the technique Betjeman uses to create a different character, his father as he is nowadays, a corpse: A closely fitting shroud.\r\nBetjeman contrasts the cold image of death with warm memories of life and as a result, it has much more impact. This technique of juxtaposition continues throughout the poem and as we get to know and similar Betjeman’s living father, we’re exposed to more graphic imagery of death: And when he could not hear me speakHe smiled and looked so wiseThat now I do not like to thinkOf maggots in his eyes.\r\n'